WORKS

(Click on titles for more info about the pieces)

(Click on titles for more info)

I had wanted a quiet testament (2024) [ca. 45′] for accordion and double bass

Estuaries (2023) [20′] for oboe, percussion and string trio and narrator (in collaboration with Elisabeth Ljungar and Agata Bigaj)

Transparent fabric (2023) [24′] for string quartet and electronics

Gardens (2022) [19′] for soprano, harp, percussion and electronics

The quiet or repose of sleep (2022) [18′] for sinfonietta

That was to be of a like monotony (2022) [32′] for saxophone, accordion and double bass

Com tudo quanto vi, se passa, passo. Nem distingue a memória. Do que vi do que fui. (2020/22) [16′]  for flute, clarinet and string trio

Gross perpetuity (2021) [12′] for flute, clarinet, percussion, piano, violin and violoncello

And so, at peace, so very much now this same quiet (2020) [12′] for microtonal trumpet and percussion quartet 

Reluctant. Gross perpetuity. (2020) [27′] for sinfonietta

Mäßig. Fließend. (2020) [17′] for solo piano

wieder ruhig (2019/20) [3′] for piano and string trio

E oculta mão colora alguém em mim. (2019) [20′] for 2 microtonal pianos and 8 transducers

Não sou eu quem descrevo (2019) [12-15′] for saxophone quartet

These are gently spread across the marble (2019) [10′] for prepared violin and accordion

2nd ruhig fließend: I Inhabit the white spaces (2018) [10′] for alto saxophone, violoncello, accordion, piano, double bass, viola and clarinet

Move along the surface (2018) [9′] for 2 percussionists

Penna sketches: Intendami chi puo che m’intend’ io (2017) [12′] for soprano, harpsichord and theorbo

Il vento ti ha lasciata un’eco chiara, nei sensi, delle cose ch’ài vedute – confuse – il giorno (2016/17) [12’30”] for clarinet in Bb, percussion, harp, violin and violoncello

(forthwith a change came over the waters) and the serenity became less brilliant but more profound (2016/17) [16’30”] for accordion and ensemble

Caeiros Poemas (2016) [14’30”] for countertenor and ensemble

Sapppho sleeps (2016) [11′-14′] dramaturgic/stage-/operatic music for soprano and accordion

Surface pieces (2016) [10′] for saxophone duo (soprano in Bb and alto in Eb)

Shapes, Book II (2015) [11’30”] for clarinet in Bb, guitar, percussion, piano and violoncello

Ruhig/fliessend/[…]/ruhig fliessend (2015) [18′] for violin, horn and piano

Rastrum (2015) [7′] for organ solo

Ruhig fließend (2015) [8’30”] for violin, horn and piano

(B)locks (2012/13 – rev. 2014/15) [16′] for ensemble

Remains, Book II (2014/15) [9′] for tenor-saxophone, bandoneon and harp

Remains, Book I (2014) [1’30”] for harp

Shapes, Book I (2014) [8′] for tenor-recorder and accordion

Phorisms, Book II (2013) [10’30”] for string quartet

Phorisms, Book I (2012) [5′] for clarinet, piano and string trio

Insula Lucis (2011) [6’30”] for mezzosoprano and violin

For physical scores/parts: see NBnoter for published scores or contact composer directly.